Next week we're sharing the stage with RED and the sound system there is amazing! Nonpoint's sound was amazing all mic'ed FUCHS cabs , but again, own soundguys and own monitoring engineers. As for my own "monitoring" I only had a Mackie wedge which we used as part of our PA system at our rehearsal studio. The thing about tube amps and cabs onstage for me and my experience and my band situation was that I just could never crank it up to get to that sweep spot with the , or sometimes I would reach that sweep spot with an amp with good MV Dual Rectifier and FUCHS Mantis , but could not hear myself onstage cause either the drums are too loud, my monitors are too loud, or something else. I want a 2x12 or something on stage to have sound, but it just being able to turn it down. The second gig, I decided not to say anything to the soundguy and have him mix my monitors normally. And I don't have to bother anyone:
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Then, v10 muddled out. Nevertheless, to me, changed everything. Likewise, this is my own problem. I kitchener that I was compelling to dial in a quantity sounding movement and EQ it to sit occasionally in the mix. I got myself a set of IEM threads. Tranquilly, I have an extraordinary mic back me that tourists as my "plans" and I'm set.
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